Seohyun approaches the world as if nothing is ever still. Even the most solid forms, to her, exist in a state of vibration, and her paintings attempt to dissolve landscapes down to their molecular essence. In this way, imagery becomes stretched, distorted, and reassembled into abstract fields. Her marks function like musical notes, improvisational and instinctive, each gesture carrying its own resonance.
The act of painting unfolds for her less as a depiction than as a search a pursuit of a vision that seems both fleeting and suspended outside of time. By layering, obscuring, and transforming surfaces, she creates works that hover between reality and imagination. Light, texture, and rhythm guide her process, offering viewers an experience where forms appear to shift, fragment, and re-emerge. Ultimately, her practice reflects on the instability of perception itself, opening a space in which landscapes are felt not as fixed images but as continuous movement.