RECRAFTED explores tacit knowledge and unproductive value as quiet yet radical forms of resistance within a hyper-efficient, over-technologised world. 

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Through craft, material and digital practices, the exhibition foregrounds modes of knowing embedded in the hand, the body and sustained attention—forms of intelligence that resist full translation into data, language or measurable outcomes. In contrast to cultures shaped by optimisation and productivity, RECRAFTED turns toward processes that privilege presence, care and embodied experience. 

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Working across handmade practices, natural materials and technological mediation, the exhibited works embrace slowness, repetition and non-instrumental making not as nostalgic returns, but as essential cultural acts. Here, craft is understood not as a preserved tradition, but as a living, adaptive system of thought, healing and care—capable of recalibrating how we sense, value and relate to the world.